GLENN CROCKER-MUSICIAN WITH A MESSAGE

Glenn Crocker was directed by the Lord to write Christian songs hoping to reach them who could be touched by songs of freedom and hope.

GLENN CROCKER HISTORY

Glenn Crocker hails from a rich musical past. He was born into a Lutheran family who were farmers in central California. They were active in the community and his mother was the musical talent. Glenn knew from age 7 what he wanted to do. He wanted to sing, play the piano and write songs. That was almost 70 years ago and Glenn has now written over 200 songs. Until he retired, he was among other careers a studio musician
He formed his first band at 15 and at 18 he took his talents to Hollywood. Glenn was part of the rock and roll revolution in the 60’s and 70’s and worked with many musicians including Warren Zevon and David Marks of the Beach Boys. He was also exposed to a variety of musical styles including Country, Blues, Funk Jazz and Rock. And, you can hear them all in his music.
Glenn moved to the San Diego area in the early 80’s and founded a music school where he taught the advanced students for 12 years.
In 2005 after a divorce and a bout with cancer (now 16 years cancer free – praise the Lord) Glenn moved to Bend, Oregon. He didn’t know anyone there and after two months he felt alone, lost, and rudderless in the sea of life.

A RELATIONSHIP WITH THE LORD

Then, Glenn, moving to Oregon and leaving behind the troubles of his life in southern California, he found living in a place where he knew no one. So, this writer asked Glenn, in the first Skype interview a number of questions. What follows is exactly how he responded.

Why are you doing this?

“I moved from southern California to central Oregon 16 years ago after a year of going through a divorce and cancer. I didn’t know anyone here and hadn’t played the piano or written a song for over 2 years. After being here for 2 months I felt very alone and lost. I wondered why I made the choice to move here.

One evening I just broke down and asked the Lord: What do you want me to do with the rest of my life? Within 5 minutes I was back on the piano and a new song was emerging. I thought, well, that makes sense. Why am I doing this? Because, the Lord directed me to do it. I sensed He was not done with me, yet.

And, now all these years and 44 songs later, He’s still giving me new music all the time. And, with today’s technology, it’s reaching people all over the world.”

INTERVIEW WITH GLENN AND ED

As, the interview progressed, this writer became so moved to do what could be done to help spread the word to others. Also, helping to elevate the human condition fit perfectly with the purpose Glenn is accomplishing in his music, inspired from our Father.

og: Glenn
Glenn Crocker asked the Lord what He wanted him to do with his life. The Answer came within 5 minutes.

Therefore, the interview continued with this next set of questions. Glenn’s responses are represented with little grammatical editing for clarity of understanding.

Who do you hope to reach?

“There are several groups of people I hope to reach. 1) Christians whose faith may be wavering. 2) People who struggle with addiction. 3) Christians who feel they are alone and are fearful of the persecution they are or may be soon facing. 4) As friends share my music with their friends, I hope to help them come to the Lord.”

Do you believe there is a lack of faith?

“There is absolutely is a lack of faith today. Church attendance just went under 50% for the first time in this country. Just look at our society and compare it with Rome in Chapter 1 of Paul’s letter to the Romans. We have sunk to the lows that you read about, there.”

Do you see Christianity under attack?

“YES! There are many forms of persecution. I’m in contact with people in other countries where Christians lives are at risk. In one country, because of the pandemic, people are suffering because of the lack of food, water, and medicine. The people who practiced the predominate religion of the country were given help. But, the Christians were not. This is one form of persecution.

Here, in this country, Christian faith itself is under attack. In some countries just being a Christian can get you killed.

In this country, there’s censorship in the media and social networks. You have to be careful what you say because the cancel culture is real. If they don’t like what you’re saying they just cancel/block you.”

GOD HAS BEEN REMOVED FROM SCHOOLS

To continue, “God is being taken out of schools and government, so, our children aren’t learning that this country was founded on Judeo-Christian principles. My songs, ‘Don’t Let Freedom Down’ and ‘Walking In His Light’ both address this and tell Christians it’s time to stand up and be counted. The silent majority need to un-silence themselves, band together and say, ‘Enough is enough’.”

GLENN CROCKER YOUTUBE VIDEO AS OF JUNE 22, 2021

Now, for all to view: Glenn produces more of his songs with his saxophone friend, Andy.

This writer will add more songs to the article, as they manifest. Thank you for an eternal friendship, Glenn. Thank you most of all, Jesus Christ.

DON’T LET FREEDOM DOWN

The bass-guitarist, Joe Plass (from Kenny G) plays along with Glenn:

“Let’s work together to get people elected to all levels of government who share our same views and values. Violence is not the answer.”

WALKING IN HIS LIGHT

JESUS IS HIS NAME

A MOTHER’S DAY TRIBUTE TO ELAINE

AS THE INTERVIEW CONCLUDES

This author has been blessed, humbled, and honored to be an infinitesimally small part of such a hugely important and eternal part of life, which is our Lord and Jesus. Glenn and I have known each other in social media for a few years now. We both know that nothing happens by accident.

Ultimately, Glenn and this writer knew we were being directed, but we didn’t know when. God did and directed me, as well, to complete the connection.

Please, know that our Lord has plans for each and every one of you, too. All you have to do is ask for Jesus to come into your life. Ask Him, who is our advocate to our Father what is it that we need do and it will be revealed.

HOW TO CONTACT GLENN CROCKER

Glenn Crocker can be contacted at: G D Crocker, P. O. Box 4283, Bend, Oregon 97707.

One may view Glenn’s YouTube channel by clicking here. He is also found on Facebook by clicking here.

Glenn plans to write 2 songs per month. He wants everyone who wishes to share his work to spread the word about our Lord and Jesus Christ.

SUMMATION AND BLESSINGS TO EVERYONE

In all honesty, this writer started the article with the first sentence. Where would the next sentence come? Looked at it for two days. After asking the Lord to help make this right for Glenn, Christians and mankind who seek Him, this all happened in just 3 hours.

Humbling, it is to know Glenn Crocker is a friend for eternity.

og: Glenn
Glenn Crocker, a proficient singer, songwriter, and pianist, sings at his church.

Take notice and please heed the content of this article. Bible prophesy is real. Jesus of Nazareth was born on earth and He became the Son of Man. Mary and Joseph of Nazareth made it through the storm of a time where the concept of a virgin birth was not understood or considered possible. Jesus is returning, as He promised.

The time is coming. Nothing happens by accident. We are standing up to warn everyone of what is about to transpire. It is all part of elevating the human condition. This is not part of some conspiracy or cultish situation; it is part of the Truth.

Thank you all for viewing and reading. God Bless each and every one of you.


UNIVERSAL DIGEST is pleased to be a conduit for our contributors. The article was produced being mostly unedited. We do not claim credit; we simply want to make it more available to the general public. The opinions of the authors are not necessarily the opinion or stance of this website.

Pass it On:
Pass it On:

HOMOSAPIEN BY STEPHEN ERDMANN

Here, Stephen Erdmann introduces his latest creation, Homosapien for the reader's enjoyment.

EDITOR’S NOTE:

Homosapien is written by Stephen Erdmann. His writing style is unique and engaging. He has captured the day-to-day life of those who are part of the human condition. Enjoy.

HOMOSAPIEN SHORT STORY

It was the quiet little chirp of the wren somewhere outside the house that first caught his attention. Like some vague feeling pricking the top of his body hairs ever so lightly, the incessant chirp from that little brown feathery body perched on the tree limb outside the bedroom window kept infiltrating his mind.

 

Peaceful. Yes, it was very, very peaceful, restful, and gracious. He lay motionless underneath the linen sheet he used as a blanket. His face, a smooth line-less continence of tranquility, and his mind somewhere between the darkness of his dream-world and the dawning of the first rays of daylight beaming through his bedroom window and bathing him in a brilliant white.

A fly lazily buzzed to and fro about the man’s face. Like a miniature household servant come to wake its master, the fly landed on the man’s head. When it crawled from his head onto his arm skin, the man instantly perceived it was there. He squirmed beneath the sheet. The insect took to flight, circled about, and gently, very, very gently, landed near its previous landing spot, urging the master to arise.

This time the man stretched his arms, turning slowly about in the bed. He blinked for a moment, glancing out the window, realizing that it was time to once again start a daily routine. He momentarily closed his eyes, allowing the caressing sunshine to rest upon his features.

He was amused at the melodious singing of the little bird outside. He smiled. Then he lazily moved his legs to the edge of the bed, and like a mighty Zeus emerging out of the surface of the sea, he slowly vacated the bed, pushing himself like a bear just awaken from hibernation.

The housecoat felt warm and comforting about him, but the floor was ice cold, making him give out a sigh of relief as he put on his slippers. He pulled the strings to his robe tight, secure, and shuffled off into the kitchen; there he perked the coffee till short puffs of steam came out of the spout. Every now and then, a few drops would sputter out of the spout and dribble down into the flames below, making a hissing sound. From the range a warm radiance spread out into the kitchen in ever-widening ripples. The small old-fashioned clock hung over the hovel of the sink and pantry, and the sweeps of its stubbly pendulum seemed to say ‘hello, hello.’

It took some effort to control his memory of those frightening nights in the dark bedroom with no sound, no children noise, no words, just the flashbacks of the divorce courtroom and the horrid masquerade of reality that came true before his eyes when the so-called legal system turned black into white and the memories of brighter days into dank dark desertion. Many following nights he fought the dysgeusia and copper taste of fear and flight anxiety attacks until those more stable moments when they would disappear now and then. This morning seemed to be one of those.

Next came the sizzling bacon and the crackle of the frying breakfast sausage, slowly, slowly making the morning whole as bits of reality, as churning mechanisms seen in household appliances, flashes of electricity through the grey matter of the human brain, all going into operation as one coordinated, smooth picture. He thoughtfully meanders through his breakfast.

Socks; warm; skin-fitting; the latest pair bought. New trousers; freshly creased. A leather belt with sleek sheen; followed by a white shirt; high collar to cover his long neck. Soon followed were pearl cuff-links; the tie; a nice charcoal color to match his pants. No wrinkles in pants: new.

Like a sculptor of marble, his personal appearance began to take shape. Each movement of his hand brought with it a snug packing of the clay in the imaginary statue. Shirt tail whipped in, straight and even; tie-knot, tight and in place. His short hair groomed and styled.

The man tapped the top of his dresser to show pride in his creation, another accomplishment in the early morning serenade of awakening.

Click, clack, click, clack, click, clack: the rhythm of someone’s shoe taps could be heard faintly outside in their hurried walk down the sidewalk. Too industrious, thought the man, but still permissible; the announcer on the radio spoke in serene, low monosyllables; short, musical statements in a base voice; evenly pronounced and not harsh. The announcer was saying that it was going to be a beautiful autumn day, and the temperatures might reach a pleasant 75-80 degrees this Halloween. Don’t put away all your summer clothes, the announcer is saying; you might want to wear them still today. The man smiled to himself and nodded in agreement. Let’s see, wallet? Money? Credit cards? Notebook? Bus pass? Handkerchief in pocket? All here.

The early morning sunlight covered the kitchen as if the radiance were bathing the room in a baptism of rejuvenation. The strong aroma of fresh coffee intermingled with the brisk, mystic smell of men’s cologne, and he further imagines a bathed lady that equally had sensually dabbed her body with perfume. He grabbed his well-blocked hat out of the closet, sitting it on his head: no, he suddenly decides, he would not wear it today. He finally reached for the knob of the front door and summoned his courage to leave his day-dream environment behind. It was a Halloween holiday and one that he hoped would not be matched.

Bright morning sunlight still shone through the door Venetian blinds reminding him of similar recollections of himself as a little boy playing with neighbor children on sun coated sidewalks back on Castleman Avenue.

Opening the front door, he is slightly taken aback by the heavy drone of a big truck that seemed to emerge out of nowhere, blocking his view of his direct neighborhood. Its big red letters seemed to immobilize him until the heavy vibration of the truck was gone.

The man collected his thoughts, shifting his chin as to try to straighten his collar, dislocated by the sudden appearance of the truck. Instead, he fidgeted the knot of his tie with his fingers; smoothed his coat along its sides. As he headed for the sidewalk, he briefly glanced back to his house, bathed in the golden hues of the morning sunlight. A sparrow landed on the steps before him, twisting its head side to side, ogling the on coming giant beside him. Then it darted away, blended into the glare of the sun.

At the bus stop he tasted the fresh, crisp air with its underbelly of autumn decay. The acrid smell of the chemicals at a nearby paint factory seemed disjointed from the smell of the close evergreen shrubbery. The bus stop was attended by two talkative ladies, both projecting their respective, strong perfumes. They wait for the bus too, he thought to himself; such staunch, middle-class ladies; the salt of the traditional America; Conservatives dressed in their placid best; such a no-nonsense color for an overcoat; PTA, Ladies’ Solidarity, and Bible-reading grandmothers. See how they chatter, gossip, the man thought to himself, tending to the world of everyday events?

“That’s what she told me, yes indeed…” The one lady spoke energetically.

The bus is coming. The doors hiss open.

“I’ll be, Marriene, she didn’t?” the other exclaims as they climb aboard.

“Yes, yes she did…the bitch!”

“No,” the man thinks, and slumps his head to look at their shoes, “I didn’t hear that remark on this quiet morning of autumn.” There is a lullaby of barking dogs and teenage laughter in the background. No, he thinks to himself, it was not our all-American grandmothers who said that.

As the door hissed shut, the voices of the two quarreling grade school kids fighting over a bicycle could be heard on the steps of the nearby church.

“Get your god-damned foot off the peddle or I’ll break your god-damned, son-of-a bitch….”

The back seat of the bus is warm, almost hot from the rays of the sun. He nestles in the bough as if a cold bird into its nest. He glances out the heavily smudged window, looking beyond the lip-stick smears and obscenities drawn there sometime last night. He blinks hard, pretending that it is only a momentary obstruction. He can see the expressions on the motorists below the window, which is all that matters to him.

When the bus reached Elm Street at the intersection of Genevieve, he had counted some twenty ‘families’ driving in autos. He instinctively knew they were families because of the three or four children between the back and front seats. Mom sat almost statuesque by her “daddy” at the wheel: he, holding a cigarette so very authoritatively in his fingers, or her placing one hand on her husband’s knee, as if to signify her claim to ownership. Sometimes, the pose would change from car to car, and when it was a car that carried adolescent boys and girls, the scene sometimes changed dramatically; the teenagers would hug tightly, entwining their limbs as if to squeeze every drop of intimacy into each other. Her hair would lie on his shoulder; another’s hair would lie on his chest. But when he saw nothing but a blanket of smooth, flowing velvet, the strains of which made a shining blanket across the boy’s lap, his face went flush, and then red. He turns his gaze quickly away from the window, his pulse racing higher.

At the intersection of Sydney and Spring the bus jerked to a stop. Four fuzzy-headed teenagers bang at the door, rudely with impact, not waiting for the driver to release the door hydraulic-pressure. The man noticed the bus driver’s face was mysteriously nonplussed and emotionless to the outburst.

“Thanks Pop!” said the tallest boy; he had to bend his neck to keep from scraping his head on the bus ceiling. All but one paid their fares; the last stood momentarily defiant before the driver, his fists clenched straight down to his sides. Not a word said, just a stone-cold stare between the two. Without paying his fare, the shortest of the four swaggered his way back through the aisle, much like a bully burst through the saloon-house door. The four arranged themselves along two larger side-seats; they extended their legs out into the aisle, punching each other with furious deviltry, revealing gaping holes in the sides of their jeans. Squeals of hysterical laughter riveted the bus, but no one looked except the man who manufactured a prolonged gaze that eventually contracted a wall of hateful wonderment from the gang of boys.

“Anything wrong with you, Pop?” the tallest queried.

The man just gazed on. Slowly, oh so slowly, his lips moved in a quiver. “No,” he spoke softly, “no,” he said again even softer. He turned back to the window, gazing on the churning smoke from a chemical factory’s chimney. He tries to mentally close his ears to their obscenities; instead, he concentrates on those long, thick vapors that churned in and around themselves as they circled upwards, higher and higher. He will keep his gaze on this until the factory falls from his range of vision, hoping that peace and tranquility will be restored and this invasion of civility would be over.

The crowd builds on the bus as they near the downtown area; so filled that the man can barely see the “No Smoking” sign towards the front of the bus. It has become laden with the cigarette smoke from unconcerned passengers. The aisle has become jammed with men, women, and children, each holding tightly on some nearby artifact, such as a pocket of a mother’s coat, or the sweat-lubricated chrome seat handle.

Splat! Splat! Splat! Three shaggy-haired grade schoolers race out towards the middle of the street, bogging down traffic which nearly brought about their injury: from their dirt-stained hands are thrown three MacDonald’s restaurant hamburger sandwiches. The guts of these missiles ooze down the glass panes in a sickening avalanche of garbage….as sickening as the vulgar retorts off the lips of the three boys rambling back to the curb. Motorists impatiently honk at them. The youths signal obscenities at them and rush off laughing wildly and indifferent. No one looks, other than the drivers who nearly hit them; everyone seems unconcerned.

The bus begins to stop and start in aggravating jerks, descending deeper into the city traffic. The heights of buildings begin to grow taller as the bus creeps deeper into the interior of the city metropolitan jungle. Peculiar taps and nudges are felt by the man as the mass of humanity closes upon him. The rock-like bulge in the pocket of a grey-haired, well-groomed man next to him is suddenly removed by that man, revealing itself as a bottle of Johnny Walker whiskey. He watches as the imbiber caresses the bottle containing the putrid-smelling liquid to his quivering lips, small drops travel down his chin and dangle from his cracks in his face. No one stares at the swigged performance and the bottle is quickly replaced unconcerned back in a coat pocket.

The man begins to feel suffocated. He sees his destination two stoplights away. Suddenly the surroundings don’t seem the same. It looks peculiar, almost as if a scene in a dream where quasi-shapes and half-familiar sights appear. But its strangeness might seem like some sort of ‘home,’ only if he could safely make his way through the limbs, human bosoms, and torsos to the exit.

Slowly he begins to nudge his way through the “meat factory,” and he begins to visualize racks of butchered meat hanging from hooks. Bad breath followed next by a sweet candy-smelling perfume. The smell of mothballs from a jacket recently removed from summer hibernation. He steps on someone’s shoe; he gets cursed. A newspaper flares up into his face as a pedestrian turns a page during the person’s transit-reading.

The plunging, hissing sound of the air compression of the door appears as a welcoming gateway into cool, fresh air. He bounds out into a conveyor of sidewalk pedestrians that, even here, nudge and shuffle him; but he doesn’t mind, as he hopes he has obtained new freedom.

He bustles through the revolving door, shoulder to shoulder with customers, into a drone of sounds, clanking coffee cups, and incessant monkey-like chatter of the crowd. The smell of the latest perfumes, colognes, and sweet milk chocolate are from the nearby counters. Perfumes that drip off of dark, lovely skins that zip by in micro-mini-skirts and colorful pantsuits; meaty scents that one could almost be tempted to bite into.

Towards the middle of the department store floor he is held back by a swarm of people gushing from the escalator. They branch off in all directions, leaving him huddled in one spot. He timidly walks towards the ‘up’ escalator. “Can’t do it,” he sneers at himself, feeling the latest pangs of motion sickness from the gasoline smells that escorted his bus ride. He couldn’t stand that fight at the top of the escalator steps. Resigning himself to the task of getting more fresh air, he wipes the perspiration of his forehead and bounds through the crowd to the farthest exit.

“What the hell?” indignantly queries a husky man who attempted to crowd the same revolving door with the man, who, in the growing depths of nausea, smiles back at him in apology, allowing the husky person to command the door. The man waits patiently until no one wants to use the portal, then he ventures outside.

“Daddy, daddy, be so good to me,” blurts the large Walkman radio swinging from the hip of a Negro with shinning leather boots and a large sombrero hat. “Baby! Baby, do it to me now! Baby…..”

“Chick, com’on, doll, cause you the biggest love bun in the block, dat why,” giggles a sleek, sensuous Negress secured lustfully to her boy-friend’s arm. Metallic loops dangle from earlobes beneath bleached, blonde hair; her buttocks brazenly protrude from the rim of her skin-tight red ‘hot pants.’ On they stumble – “Daddy, you won’t make a move on me, doll….”

“Gum? Anybody buy gum?” churns the words from a twisted mouth of a para-paretic, cane in hand, tin cup in the other, limping along at a snail’s pace. “Gum?” He pleads to around him careening by him in a river of flesh, “Want to buy some gum?” He shakes the battered tin cup, the coins forlornly jangle. One man instantly searches his pocket for loose change. The crippled man nears him, only a few feet away, “Gum?” “Here you are,” the pedestrian reassures the cripple, reaching for the tin cup.

Down the cripple goes! The earth turns about him and he suddenly finds himself being scuffled by boots, shoes, and sandaled and nearly bare feet. Someone leaps over him as the crowd momentarily rearranges itself to make room. A blur of bodies – one, two, three young girls in hipster garb race down the street into the maze of humanity onto the next block. A few feet away from the girls moving on in express, the cripple churns his neck about, searching the passing crowd, looking for a helping hand. His cup with money is now a lost companion. He is unable to say anything but the words he has memorized, drilled, and forced him to learn in month over months of repetition: “Gum?” He extends his hand pleadingly to the astonished and indifferent people that pass on by. The cripple slowly, painfully, arches his back and uses the cane to resurrect an upright stance. The atmosphere about the para-paretic becomes a cubicle of woman’s nylon against nylon and feminine deodorant, pierced by cigar smoke blown in his face.

“Move on! Move on, damn ya!” A group of jelly-bellied conventioneers have flanked the sidewalk, almost arm in arm, as if the front line of an infantry sweeping the battlefield. Racing backwards in faltering steps, the cripple extends one hand over his head, waving it to keep balance and also seeking Samaritan assistance, only to find him in the animal-like huddle at the “No walk” sign at the corner.

The sweet and putrid smells of perfumes and after-shave fragrances cascade over our traveler, as he finds himself hurdled into the mass of flesh, clothing, and the gut of the mob. Perspiration begins to trickle down his cheek, his nose itches from the threads of sprayed hair belonging to a fat, chunky female shadowing him. If only he could turn around and attempt to see the fate of the crippled man.

“Go!” instructs a skinny boy, knees black with dirt glaring below the rim of his stained shorts. The boy’s hair flops about his eyes like the mane of a St. Bernard dog. He drags his mother by the hand into the crowd of street-crossing pedestrians unfortunately blocked by a negro boy and white girl standing immobile in the middle of the traffic: the boy is passionately kissing the girl, holding her back into the cradle of his arm, and with the other fondles her breasts, and then, in snake-like fashion, rushes his hand under her short-shorts seeking the crease in your buttocks. No one stares; no one looks. They gush around the two like foaming water around jagged rocks in the middle of racing water in a stream.

The man is carried along, stumbling; stepping on feet, careening through ‘out-flung’ newspaper pages, till he locates the curb and with a heave, lifts him onto the sidewalk.

He has come to rest near a restaurant; he presses his radiant face on the cold panes of air-conditioned glass and closes his eyes to decide as to if he should go inside and find a seat. The smell of gasoline has found him again, like a phantom from bus to sidewalk, sidewalk to sidewalk, and like a developing nightmare, nausea is created in his stomach. He notices a scratch on his hand and he reaches into his pocket fumbling for a handkerchief and he dabs his wound.

“Get your Raw World News here!” shouts a tall, thin boy, his hair draped over his head and shoulders from the rank humidity as if someone poured a bucket of water on it, and continued to soak every strand, progressing down his cloths as if to pull them to his feet. The man expected to see this happen but was suddenly alarmed to see the boy’s bare feet. Instead, the boy’s clothes stubbornly hung on to him as he shouts, “Raw World News, here. The only original people’s militant-pagan review in the city! Raw World, here! Raw World!”

A lady with two cardboard boxes under each arm and a bag lodged underneath her chin, stops to examine the front page of the newspaper: it is a photograph of Lillian Swan, number one militant libertine giving a close-up of her middle finger extended upward in protest; the headline reads: “Country Must Change, or Else Die!”

The lady wants to maneuver herself so she can turn the page of the newspaper, but –wham! – knocked from her under the barrage of street-people, the swarm carries her parcels, being kicked heedlessly, down the sidewalk, some people divided in attention by a commotion back up the street where the para-paretic had been knocked down, others intent on seeing the colored boy and white girl, now engaged in actual fondling on the corner of the street, both laying prostrate to one side of the nearby trash container as a ring of people jealously guard their sensuous privacy.

“Hey! My boxes!” shouts the lady, trying to fight into the swarm. “Out of the way, damn it! My boxes! Oh!”

Pressed into this incongruous activity, the man slides nervously along the cold glass store front till he meets the end of the building. The side of his face is caressed by a gentle breeze flowing out of the nearby alley across from him and just a few feet away.

“Take it, damn it! Take my purse!” cries a whimpering voice from a mascara-streaked face of an old whore held at gun point. The man leans to one side to get a better view. He barfs slightly, swallowing back the vomit as he fights the sickness of carbon monoxide poisoning. From the record shop across the street, through its overhead loudspeakers, booms the beginning of Schubert’s Symphony No. 8, the Unfinished Symphony.

“Here! Take it!” The whore holds out a fist of money and jewels that drip from the sides of her hand. Her watered eyes plead to the snub-nosed revolver held directly at her face. “Oh, God! Take it!”

Why no one investigates the alley, the man wonders as Schubert’s symphony progresses into the allegro moderato. He notices the prostitute staggers towards the gunman, moaning, “…no, no….”

Bam! Bam! Bam!

The symphony hits a peak as everyone crossing the alley stops and stares as if an unfortunate ‘intrusion’ was forced upon them. And like cattle turned out of a gate, they stampede into the narrow passageway. Symphony No. 8 begins its slow dirge, its whining andante con moto, and as if synchronized with the pulse of actions comes the sirens of police cars that burst around the street corner: revolving lights flashing, brakes squealing, as squad cars nearly careen into the middle of the people in the alley. The people dash to the sides of the buildings to keep from being hit. The crowd immediately closes back in about the officers slinking out of their cars and into the murder scene.

The man barfs again. He realizes he must move to a clearing near the bus stop area. He staggers to the bus sign, leans his head on a cold metal pole and shuts his eyes as he focuses on nothing but the low dirge of Schubert’s No. 8. “Bus, come on, please, come on!” he begs inwardly. “I want to go back home,” he mumbles to him, “back, back home.”

Hiss! As if by his direct command, a miracle, the smell of bus rubber surprises him, and the bus doors open before his face. Pushing, lunging people force him up the steps, the driver oblivious that the man did not attempt to show his pass as he was nearly knocked to the floor. The man quickly grabs a chrome seat handle and pulls himself into a nearby seat of the bus. Thankfully, he lodges his head on the pane-seal of an open window that someone created despite the air-conditioning. Schubert has gone into his dramatic allegro con brio. Once again, a police officer squad car careens around another corner. The bus driver impatiently honks for the crowded street to clear so he can be on his way. The bus inches a few feet….stops….inches a few more….stops….to ward off his stomach sickness, the man holds his handkerchief over his mouth. “I must concentrate!” he pleads to himself. “Concentrate on that glorious ending of the 8th, that allegro con brio.”

“Out of the way, you bastards!” commands the bus driver, his voice barely discernible in the zombie-like rows of people compressing the aisle of the bus. Finally, the jerks of the bus combine into longer, smoother flows, lasting at least the length of a block. “Oh, the pain!” The insufferable ache in the pit of the man’s stomach fights an epitome battle against a world of the intertwined smells of perfume, cigar smoke, gasoline fumes, bubble gun and whiskey breath. “Move! Please, move bus!”

Bam! Bam! Bam! The man again visualizes the smoking tip of the revolver in the murder scene, and that blank stare that appeared on the prostitute’s face, her pupils suddenly becoming dilated, and her mouth suddenly twisted and contorted. The contents in her hand dripping out onto the ground, much like the spreading blood from her stomach.

og: homosapien

At Spruce and Murdoc, the man opened his eyes and peered out the window to discern a row of broken-down tenements, the small front yards with foot-high weeds and grass and a barely visible walkway. In front of the paint less fence were two toddlers, caked with mud and crying profusely. Once again, the man laid his head on the sill of the window, feeling the violent vibrations of the bus through his skull; rough, yet comforting enough by providing some distraction to his physical displeasure.

Broadway and Juanita: large beads of sweat drip down his check. He dabs them gently with his handkerchief. “Just a few more minutes,” he assures himself.

Ahead, he sees his bus stop creeping up. Painfully, he lifts himself up and pushes forward around a rather obese woman who looks at him rather amusingly. When the bus jerks to a stop, the man practically falls out of the door, but catches a low tree limb to steady him.

After dodging the reckless, perusing traffic, he glances over to the nearby church steps, only to see the broken, bent body of the bicycle the two boys had argued over earlier. In the distance, he could hear the ferocious barking of his next-door neighbor’s dog. Only minutes away; he prays for strength.

Agitated, he jabs the key into his front-door lock; drops of perspiration fall upon his fist, only to be shaken off by the tremble of his hand. The door crashes back against the vestibule wall as the man feverishly staggers into the kitchen, slips to his knees, but stands once again and staggers to the bathroom.

For a moment, it was as if the explosion of the revolver had also become the pounding of the divorce court judge’s gavel: Bam! Bam! Bam! He remembers the firing of the revolver again to the back-ground music of Schubert’s Unfinished 8th, crescendo to a loud ending: he falls before the commode and lets out a heavy heave of vomit into the bowl.

As an accessory to this bizarre symphony, comes the very real chirp of a wren outside the bathroom window, not unlike the one that the man began his morning with: A peaceful chirp, very, very peaceful.

og: image
Here, Stephen Erdmann introduces his latest creation, Homosapien for the reader’s enjoyment.

The Grand Quantum Being is aware of this man’s events, and the Spark Streaming of His grandiose Mind, beyond any Positronic Computer, greater than any Quantum Algorithm, that Mind knew for eons the next stage of atomic arrangement that will take place in this man’s life. He constantly told men and humankind that they had ‘freedom,’ but it was a lie! That life will continue instantaneously, more keenly scrutinized as microbes in water would be by some ethereal microscope, hiding and masked in some infinite complacency, behind the shadows of time, across the gulfs of space, beyond the blending of colors, vibrations, any singing of the Strings, any Logic Gates, as it was performed in the beginning (and ever will be) since It called Itself the “The Word.”

Written By: Stephen Erdmann


UNIVERSAL DIGEST is pleased to be a conduit for our contributing authors. We do not claim credit; we simply want to make it more available to the general public. And, the opinions of the authors are not necessarily the opinion or stance of this website.

Pass it On:
Pass it On:

KCOR DIGITAL RADIO NETWORK

KCOR Digital Radio airs live from Las Vegas. It has streaming radio programs and music 24/7.

 NETWORK

Tina Marie Caouette owns and manages KCOR out of Las Vegas, Nevada. Since 2015, her radio network has been growing at a rapid rate. Because, she is well-known as being fair-minded both intellectually and financially with whom she is associated. Her goal from the outset was to provide the sound and look for what talk radio should be like.

KCOR Digital Radio Network airs a broadcast venue for over thirty-six talk show hosts. And, there is a waiting list for those who want to join her network. Tina works diligently to bring the best in broadcasting to the listening public. She works twice the usual work-week and is constantly adding to KCOR the best hosts. She produces all live shows herself.

A NEW WEBSITE IN 2020

Setting the bar for Tina’s radio empire to the highest standards has always been her goal. She produces streaming radio in HD (High Definition), but she also provides imaging and graphics for each show.

Recently, she rebuilt her original website from the ground up. It has been a gargantuan task, but through all the travails of web development Tina and her team have produced the new KCOR Digital Radio website! Ongoing work continues with new formats and additions to her existing profiles and programs. The new website supports improvements for mobile device use.

What sets KCOR apart from the competition is unique programming. Show subjects range from politics to the paranormal. But, each talk show host broadcasts their own materials and viewpoints.

og: kcor
The Future of Radio is Here and Now.

The KCOR slogan is ‘The Future of Radio Is Here and Now.’ Tina supports her show hosts and gives them much freedom to operate independently on her network. That is something rather unusual in broadcast media.

KCOR DIGITAL RADIO STREAMING LIVE 24/7

The formats for this radio network includes streaming music between talk shows. There are links to view archives, but she also provides this button at the front page top to click to join streaming broadcasts live.

og: live
Click this button located at the top of the KCOR website to listen live 24/7.

When visiting the website click on the ‘Listen Live’ link above. Browse the menu for showtimes and hosts.

RESTRICTED AIR SPACE

Restricted Air Space was one of Tina’s first programs to air on KCOR Digital Radio Network. It airs from 7 pm Pacific and 10 pm Eastern Time. Tina hosts this program live.

og: kcor
Restricted Airspace is one of Tina’s first programs to air on KCOR.

Solaris BlueRaven hosts her program called Hyperspace, as noted above.

Please note Tina’s slogan for her Friday Fantopia: ‘Question Everything – Trust No One’.

KCOR IS A COMMUNITY-ACTIVE ORGANIZATION

This radio network is populated with the brightest and best radio personalities from around the world.

og: creative
The community is welcome to join in a live broadcast. And, there are pricing packages for every budget.

Tina and her team are active in the community. In many cases, talented broadcast professionals are available to participate. And, live shows can be conducted on-site where the Prize Patrol gives out free prizes to attendees, too.

Truly, KCOR loves the community. But, that is not all! See below for more. In addition, Tina Marie is a professional bowler and writes for the website, Bowlers Paradigm with her own column, Bowler in Dreamland.

ADVERTISING AND SPONSORSHIPS

Advertising is welcome, too. There are targeted packages to reach millions of listeners, world wide.

og: advertise
Packages are available to reach millions of educated listeners, worldwide. And, remember, there are packages to fit every budget.

And, they provide services and sponsorships to business and professional organizations to 106 counties, statewide.

KCOR AND COSTS

As with any business, there are expenses. While Tina has worked hard to keep costs down (including producing her live shows herself), she still must charge the talk show hosts for their show participation. She is working to change this situation. Notwithstanding, there is a line up of over 50 shows and yes, there is a waiting list. Many potential hosts are asking to join KCOR. If Tina can provide free airtime the network could provide unique shows and programming almost 24/7.

There are some talk show hosts who prefer to keep their archives free and have agreed to continue to pay for their airtime. With this being considered, if subscriptions to the radio network out-way the costs, it is a win-win for listeners and show hosts alike.

Ultimately, once the above foundations are established, more staff can be hired to help maintain the network and more producers can maintain live support for the new and existing shows joining KCOR.

THE DARK VAULT INSIDER PROGRAM

First of all, please know that the live streaming radio will always be free for the listeners at KCOR. However, along with the improvements with the new website and technological improvisations, a new program will be in place, soon. Further, the door is open for anyone to contact KCOR to submit ideas on the contact page. Viewer opinions and ideas are welcomed.

This is where the viewers can become subscribers and enjoy their favorite programs. Coming soon is the Dark Vault Insider Program:

og: vault
The Dark Vault Insider membership is due to begin May 1, 2020. View details on the KCOR website.

The new program will provide low-cost subscriptions enabling the listeners to hear over 5 years of archived shows since the beginning of the radio network. In addition, listeners will have access to ongoing programs that have aired, to date.

Dark Vault Insider is scheduled to be activated on May 1, 2020. Please remember, talk show hosts who want their programs to be available for listeners free of charge, will have archived clickable links under each show date banner.

Below, please view the core benefits provided for paid subscribers:

og: kcor
Here are the core features and benefits of joining Dark Vault Insider.

In sum, the six bullet points above will be available for subscribers to enjoy 24/7. Please take time to view the website for more detail. Also, utilizing the contact page for any questions the readers here may have are most welcomed.

A LITTLE RECOUNTING OF HISTORY

As Universal Digest was in its beginnings, Tina Marie and this author were introduced on social media. A planned meeting was made when next we traveled to Las Vegas, Nevada, for a well-earned vacation. We first met at South Point Casino and the rest is history.

After our meeting, we shared much of our life experiences. When Tina discussed some of her encounters with other entities, I offered to write an article about it. Since, I am also an experiencer, it was pretty much a no-brainer for me to undertake this task. It took a few months to sift through the interviews and information, but I was certainly up for this.

Ultimately, Tina’s long-time experiences with visitations over many years was created after six months from our first meeting. The article in the link is called ‘An Extraterrestrial Invitation‘ and it was my honor to publish it. Please bear in mind, she is an author now. She wrote her first book based on her experiences. And, it may surprise one on the path she has taken. Tina wrote her first fiction novel based on her real experiences. It is called: Alien Deception.

SUMMARY

We have found an enduring friendship based on honesty and objectivity. Tina Marie Caouette is one of the hardest-working people I have ever met. Her business acumen is far and beyond the norm seen today of those who are directed and successful.

Tina continues KCOR Digital Radio Network because she loves what she does. And, in fact, she doesn’t have to continue. Yes, she has a life, but Tina is self-directed to provide what she does in having the finest, best, and most successful talk show hosts airing to answer so many questions for those who have them.

This author is honored and pleased to be a part of Tina’s aspirations. In fact, it is what prompted the creation of this article.

Thank you all for taking the time to read: KCOR Digital Radio Network


UNIVERSAL DIGEST is pleased to be a conduit for our contributing authors. We do not claim credit; we simply want to make it more available to the general public. And, the opinions of the authors are not necessarily the opinion or stance of this website.

Pass it On:
Pass it On:

SCOTLAND ADX FILES BROADCASTING

SPI Scotland ADX Files

ADX FILES SCOTLAND BROADCASTING – Having listened to this network for quite a while, I had always noticed the unique radio format regarding interview techniques from a one Alyson Dunlop. Early on, I found it difficult to find the proper introduction to this article, hence, being a bit late in publishing, as promised.

Here is why. I took the time to review some more of the broadcasts produced in the ADX Files weekly episodes. Oh my, what a diverse, yet cohesive history of interviews it is. Alyson Dunlop is almost telepathic (even so, perhaps) in her ability to understand what questions to ask and how to apply her broadcasts to be a relevant factor in human understanding in ufology and paranormal phenomena occurring worldwide.

og: image
Scotland ADX Files from Alyson Dunlop. Here is where reality and conception meet.

This brings us to the present state of this article. Reality, Religion, and UFOs where Alyson and I decided to make this event happen. In Episode 51, with just one day’s notice of a postponement in broadcasting, I was asked if I was interested in participating with the next broadcast. I was particularly stunned, yet with a seasoned resilience I responded with a ‘yes’ so off I went to put together the information requested. Both of us were most flexible and I was able to meet the challenge. And, I might add, she not only reciprocated, she, too, was up to the same. We did it.

When it comes to honesty in broadcasting, of which both of us have not been ‘alien’ to doing, so to speak, this broadcast went quite well. Now comes my assessment of this past week.

Wow. Alyson Dunlop is not only a professional in some intrinsic areas of the human condition regarding hypnotism therapy, she is also so interested in bringing to the public, worldwide, the most pertinent issues regarding the human condition, as am I. Realizing, I have been invited into the league of such caring, altruistic, and professional people, I had to publish this article.

To wit, I would like to share the following. I really wish the funds would allow me to join these fine individuals this year to the SPI UFO and Paranormal Conference; however, the oceans do not permit, this time. Soon. Do go, if you can.

I have found this venue, persons (of many), and now friends (of many) to be the most genuine, caring, austere, and honest people, overall. Let not the past prevail, I say let the present and future present and prove how wonderful the human condition really is.

Please plan to attend the upcoming Scottish UFO and Paranormal Conference happening with featured speakers: Alyson Dunlop, Malcolm Robinson, and Ron Halliday.

Ed Smith

Universal Digest

 

Pass it On:
Pass it On: